Images of moral panic, cult followings and the edges of madness from sex and death.

Returning from the World Cup to his country, the winner of the diving competitions Afsal Deman learns that a military coup has taken place in his homeland. Having never been involved in politics before, the hero, having decided to fight the dictatorship, becomes a journalist. The film takes place in a small Asian country in the late 70s.

A short horror film about a young woman who finds herself trapped and tormented by an entity from the great cosmos. She is forced to understand the miracles of childbirth.

300 miles off the coast of North America, in the dark waters of the Atlantic Ocean, a group of ships have come together at the site of the Titanic. Experts from the United States, Great Britain, Canada and France have convened with one goal, to conduct the first full-scale investigation of the Titanic Disaster.

Three women living together during a war time crisis, defy standard gender roles to try and form a nuclear family, with mixed results.

战争时期，三位女性身处危机，她们打破传统性别角色的束缚，尝试组建核心家庭，过程中既有欢笑也有泪水。

In Mirai (The Abyss), Gabriel Andrés De Simone works with striking economy, drawing on the visual and affective world of Ghost of Tsushima to shape a compact meditation on conscience under pressure. Beginning from a textual intervention, the film opens onto a reflection on what prolonged exposure to violence does to judgment, feeling, and moral resistance. Its brevity gives the work concentration. De Simone introduces friction into the game’s dramatic logic, shifting attention from action to aftertone, the emotional and ethical residue left once repetition has drained experience of its force. What happens when violence no longer registers as rupture but begins to organise the atmosphere of experience? Mirai (The Abyss) addresses that question with notable precision. Its mood is one of quiet corrosion. The work draws its force from restraint and from the sense that deeper forms of transformation often occur incrementally, through attrition. De Simone uses the game world to think through the dulling of response itself: the dangerous normalisation by which the intolerable becomes ordinary.

A coming-of-age tale of two boys trying to survive amidst rampant corruption and gang violence.

Twelve-year-old Joshua's dull afternoon is shattered when his volatile older brother shepherds him through the countryside in search of adventure.